JAX IDOL WINNER


Every year local Jacksonville promotions company Encore Entertainment produces on JAX IDOL, a singing competition formatted much like American Idol, drawing in dozens of auditioners vying for a space in their coveted top 12 and competing each week to win the title of JAX IDOL. One such IDOL is Mark Laduke who took last years grand prize. MOVEMENT spoke with the winner and panel judge in the 2010 season ...



1. Are from Jax (if not, where from and how did you end up here.)

"I was born and raised in Jax. I will be moving up north in January however. I'm not really looking forward to the weather!"


2. When did you first discover your voice, and do you recall the song?

"I actually think my mom first discovered my voice. She would always have me in the school talent shows when I was really little. I guess my first performance where I discovered my voice was in first grade when I sang "He's Got the Whole World in His Hands."

3. Have you had any professional training prior to competing?

"I have the most amazing voice coach in the entire world. Her name is Lorna Greenwood. I've been studying voice with her for 5-6 years now. She's not only an excellent musician, but she's become a close friend. She's drastically improved my voice and performance skills. And she's given me 100s of performance opportunities over the years. There's no way I could have accomplished my music goals without her."

4. How did you first hear about and get involved with JaxIdol?

"A close friend of mine also involved in the singing community around Jax called me up last spring and was like, "Hey there's this contest coming up called Jax Idol..." A few months later the competition wrapped up and I was fortunate enough to have won. I had become very good friends with Josh (the CEO of Jax Idol) after the competition and we would talk about American Idol for HOURS. He mentioned to me a few months after my season wrapped up that "I would make a really good judge." So, he invited me on the judges panel. I was honored."

5. Tell me what the best and worst aspects were of being in the competition.

"I'm really trying to think hard about the worst part, because there really wasn't anything I disliked about the competition. I guess it would have to be putting hours of work into a performance, and then not getting the response you wanted from the judges. The best aspect of the competition was the performance experience. You can't get that kind of experience anywhere else in Jax. It was priceless."

6. How has winning JaxIdol effected your life and career?


"I've really noticed a change in my confidence after winning. It really gave me the mindset of "I can do this." I would have never been able to try out for music college. The competition also helped me learn A LOT of new songs for me repertoire that I use at all my gigs."

7. What's in the future for you now that you have won? Do you have a web site for fans to follow your progress?

"Well, I am very excited to be judging this season of Jax Idol. We just wrapped up auditions and I was pleasantly surprised at the talent we saw. After this season wraps up, I will be moving up north to go to the Berklee College of Music. I'm really hoping that the music environment up there will teach me a lot and help me grow. I have several studio recordings on myspace.com/markladuke. And some videos (including my audition video for Glee) on youtube.com/markladuke."

JAX IDOL is currently happening every Saturday through early October at Cafe 331 in Downtown Jacksonville - www.331jax.com

COLD CAVE

COLD CAVE
Replies to questions by Wes
from Matthew Moyer


Tell me about the creative transition from playing guitar-oriented music with American Nightmare and Some Girls to making music as Cold Cave – it seems as much personal as it does aesthetic for you. What was it that drew you to making electronic music? When you sat down with the synthesizer for the first time, did sounds come to you immediately?

"Really it was just that I never wrote music before. I never played a guitar or bass really because I can't so off and on through my life I would become mildly obsessed with synths or an old piano. I started making music because I wanted to make something myself without relying on others and it came out electronic."


Did you enjoy bands like Depeche Mode, New Order or Sisters of Mercy when you were younger?

"Yea of course, younger and older. For me bands like New Order, the Cure and the Smiths growing up spoke to me."


What was your reaction when Matador expressed an interest in signing you? Are you pleased with the job they did on the “Love Comes Close” reissue?

"Thrilled because some Matador records were really important to me and one of the aspects of the label that I appreciated is that it wasn't defined by sound to me but by individuals, more so than other labels."


What does the material you are writing now sound like? When can we expect a new album?

"I'm recording now and not sure if I could say exactly what it sounds like. I know live the songs make more sense to me when played a bit more aggressively and I'm sure the new album will reflect that. It probably won't be out until 2011 sometime."


What does Cold Cave live sound like as opposed to on record? Are you able to do things with the songs live that you can't necessarily in the studio?

"It took a few line up changes and re-interpreting the songs publicly to get it right. I don't think we played a good set until about a week into our last European tour in May. The songs come off heavier live really as there are actual drums and more layers of synths and noise."


What sort of reactions are you getting out on tour in places you haven’t been before?

"I feel really fortunate, you know, we've become better, our shows have gotten better, and there are more people at each show and we recognize people from before. I don't know really what to say, it seems like the more we enjoy ourselves the more the crowd enjoys it."



Would you talk a little about the songwriting for Cold Cave? Do sounds and melodies come to you quickly? I like how you keep it simple in the songs - I can imagine fingers punching out every keyboard line, etc...


"I'm kind of in the middle of writing and recording now and am a bit neurotic and losing sleep so I guess that is part of my process. Pulling hair, chewing nails, self-loathing, frustration, little celebrations, nervous neighbors."


How has the writing process for Cold Cave changed, from early on when it was mostly you and now that you have a group of collaborators. Are they taking an active role in composing songs?

"No its just me still."


Do you feel able to express yourself more effectively (either lyrically or sonically) with Cold Cave?


"I don't know, maybe, maybe not. I don't want to really compare it to a previous band because its just a different time."


What are some nonmusical influences on the band?

"Life, love, regret."


How did you get the Radio Shack commercial? Were you pleasantly surprised on how it turned out?

"That was Matador. Yea I think when you sign up for things like that it could go any direction and it was fine by me."


Between Heartworm and Cold Cave and your nonmusical writings you must be working on art and music most every day?

"Yea just trying to write for Cold Cave and lately when I'm not doing that 5 try to take my mind off of everything with movies or just traveling. Since the band started touring a lot I've found it really hard to be home or somewhere for too long so we just keep moving."


Do you have any other projects or happenings in the offing?

"Not so much at the moment, just the new LP."


Do you have any long-term aims or goals with your art and your music? Or do you take these opportunities as they come?

"Yes, I have personal ones that I don't always realize I have. Really I want to provide in a way that others have for me."

Interview with SPLICE writer and director Vincenzo Natali


Science and mankind often collide on the big screen with typically devastating results, be it our haphazard nuclear testing that brings rise to giant city smashing lizards or the mad doctor mending up pieces of corpses to build the first zombie in his lab, movie goers thrill to the spectacle that our own indifference to both science and our environment can cause. In the new feature film SPLICE (Warner Bros Pictures) writer/director Vincenzo Natali (director of 1997's THE CUBE) carries on this legacy beginning with a morally questionable act by two notable genetic pioneers Clive (Adrien Brody) and Elsa (Sarah Polley) who are eager to add the human genome to their DNA zoo on which they have built their fame splicing together new species to be harvested for life saving cells. But, as all good horror films go, the experiment quickly spirals out of control as the two find themselves raising in secrecy a new genetic human-hybrid that they can neither understand or control. This morning I had the opportunity to speak to the proud director about his newest creation.



Thanks Vincenzo for taking the time to speak with me. I saw the film a couple of days ago and really enjoyed it. We look forward to helping you get the word out about it.


"Well, you know its my baby, so I'll take help wherever I can get it!"

Indeed, and we're happy to help. You wrote and directed SPLICE, where did the concept for the script originate?

"The very beginnings of it, the kernel of it, came from a mouse of all things. But it was a very special mouse because it appeared to have a human ear growing out of its back."

I recall that story
.

"It was a 1996 M.I.T. experiment called the "Vacanti mouse" [a laboratory mouse that had what looked like a human ear grown on its back. The "ear" was actually an ear-shaped cartilage structure grown by seeding cow cartilage cells] and it was just such a shocking image I immediately felt there was a movie in that mouse, and that's where it started."



I've read that it took you some time to write this script, anything in particular cause it to take so long?

"Aside from being a very slow writer, it had a lot to do with the fact that the movie has this sexual component to it that's quite frightening to a major Hollywood studio, it was a bit intimidating and weird, and yet the movie was never going to be a very low budgeted film because I had, at its core, very expensive effects in the creature DREN, so that was one issue. I think the other issue was that when I started on this it just wasn't part of the popular consciousness, people weren't really thinking about this sort of thing. In the interim years the science kind of caught up to my fiction and it suddenly became very topical. The movie technology evolved as well to the point where I could do something like this more inexpensively, and ultimately I made the film as an independent movie in the best possible way because I had total creative freedom. But the price to be paid for that is that it took a very long time."

That is impressive to have made it independently with the high quality of the visual effects and star names like Adrien Brody attached. Did you fund this out of pocket or find backing?

"Well, I have a brilliant producer from Canada named Steven Hoban and he is the one who really put all of the pieces together. The film is a Canada-France co-production, in fact the world's oldest film studio out of Paris financed the movie, a company called Gaumont. Of course sex wasn't an issue for the French at all, they thought it made the film more commercial [laughs], so I really had the best of all possible worlds because I made the film essentially with FinalCut, you know, complete control, and then when the movie was finished and screened at Sundance we had the very good fortune of Joel Silver picking it up and distributing it through Warner Bros. And so we have a major studio release!"



As you were writing this did you consult with geneticists on the probabilities of what DREN would look like if you put species A, B, C, and D together, or was her design more from the imagination?

"Well, there's definitely a degree of imagination involved."

Certainly!

"I did co-write it in consultation with a geneticist and what I discovered was there wasn't really any need for me to exaggerate all that much, that in reality truth-is-stranger-than-fiction and that many of the concepts that I was dealing with were entirely feasible. So I made it my goal to make the science in the film as close to reality as possible and to make my creature as biologically plausible as possible. I wanted DREN to be a creature that we believe could really exist, and everything we did in terms of her design was aimed at that goal. So in terms of what DREN is composed of, actually the thought is that its many different things, she's mammal, amphibian, reptile, plant, bird; you name it, but all these things combine to make something greater than the sum of its parts, so that even though she has these components, its not really obvious when you see her, they combine to make up something new and different. So I felt we had a lot of flexibility in terms of exactly what her various attributes would be."

I recall in the film, as your scientists were splicing and dicing you revealed different icons symbolizing the creatures that made up the experiments, but not for DREN. What is the combination of DNA that spawned her?

"At the end of the day, the idea is, that with their genetic voodoo Clyde and Elsa have accidentally triggered what's commonly refereed to as Junk Genes, which are dormant genes that all of us have which are left overs of evolution, so in fact even Clyde and Elsa don't know exactly what's in DREN because there are parts of her that are truly a mystery to them. And that's probably why they don't know exactly what she's going to become, which forms the dramatic spine of the film, its how DREN evolves through the course of the story."

What is your personal opinion on human cloning? For or against?

"Let me put it this way, I think that humans from the very beginning have changed their environment, and so now that the technology exists I have no doubt that we're going to start to change ourselves, maybe even partly out of necessity as our environment changes. I think its all going to happen, I just hope that it happens in a responsible way. And that's really what the movie is about, its taking responsibility for the things that you make. I will say also from the time that I spent in real labs and meeting real geneticists that these are extraordinary people, they are really heroic, courageous, dedicated individuals. You know they're not rich, they're not making a lot of money doing this kind of research, they're doing it because of their love of the science and because they want to help people."

How long did you spend in real labs, and was there anything you saw or learned that had a major effect on the script or storyline?

"We were very careful in the making of the film to really replicate what those labs looked like, even though they are not very attractive spaces, they are very industrial and functional ..."

Hey now, some us find industrial places very attractive!


"In some ways it is, yeah, depends on what you like. But there is a tendency in Hollywood films to sexy them up, to make them look very high tech and slick ..."

C.S.I.?

"Yeah, exactly. But that's not really the truth of it, and I intuitively felt that the audience would know that as well and what was really going to be shocking and exciting about this film was the sense that this kind of thing could really happen. I have one experience to that I have to say, it didn't inform any of the specifics of the story, but informed my general feeling about this work which was I remember being in a fertility clinic and seeing a pig fetus that was only a few days old, it was composed of less than one hundred cells, it did not have any blood yet, but it had a heart, or at least the beginnings of a heart, and that heart was beating. I was really struck by seeing that life-force in such a raw form, there was almost something mystical about it to me, almost something spiritual. I was really moved by it and I think that said something about the nature of DREN, because she is a magnificent creation, and things go wrong, but that has very little to do with the way she was designed, she's actually quite likely a step up on the evolutionary ladder, something really extraordinary and beautiful, and its really just the way she is treated or the situation in which she finds herself that causes things to go badly. My point, is that life is an extraordinary thing and if there were any single thing that were to make me believe that there is a higher power, it was seeing that little fetus."

OK, last question and it is a two-parter. 1. what is your favorite mythological human-animal hybrid, and 2. if you could go to a cosmetic geneticist and have something changed or added to you, what would you have spliced?

"OK, one ... off the top of my head I would have to say Medusa, for so many reasons, but mainly because I think its the idea that she is repellent and yet attractive at the same time is very intriguing to me, much like DREN our hybrid. And in terms of what genetic augmentation I would like ... if there is a gene that makes money? I think I need that one! I could sure use it."

You and me both sir! Well, hopefully this little experiment you've spliced together will take care of those woes for you! We wish you the best of luck with it.

"Thank you, it was really a pleasure speaking with you."

Thank you Vincenzo for your time and for such an entertaining film. SPLICE opens in theaters on Friday, June 4th nationwide. For more information visit the official web site
http://www.splicethefilm.com/


THOMAS DEKKER - DREAM JOB



I've watched the career of Sci-Fi staple and voice over veteran Thomas Dekker for some time now, in his short career he has amassed an impressive list of credits from guesting at a young age on Star Trek: The Next Generation to his staring roll in the FOX series TERMINATOR: The Sarah Conner Chronicles. This summer he adds another trophy to his growing list of iconic roles as part of the scream-scene cast in the Hollywood resurrection of Wes Craven's classic horror juggernaut A Nightmare On Elm Street. This 'new nightmare' is another in a line of re-envisioned franchise restarts cast in the same bloody vein as The Texas Chainsaw Massacre and Friday the 13th by Michael Bay's production company Platinum Dunes. Where films like 'Chainsaw' surpass their elders in style and story, others like the latest 'Friday' leave throngs of die hard gore fans disappointed and angered over the hack job their characters suffer. So what does the boiler room hold for us and young Mr. Dekker? I spoke with him this morning about stepping into a dream job and coming face to face with one the most famous horror icons in history.

Hi Thomas, tell me first off if you are a fan of the original series and then how does this remake compare? How much can you tell us?


"Well I can tell you that I'm horror obsessed in general since I was a kid, so of course I knew 'Nightmare,' I knew all of them, I have the box set, my two favorites were the original and 'Dream Warriors.' I grew up on all these sort of horror movies. So I had just got done doing a movie called 'All About Evil,' which is a sort of horror cult send-up, the day I came back from that I auditioned for this. And you know that I've done reboots and remakes before, my TV show was a reboot, I kind of get nervous about how its going to pay homage to the original work, and I have to say as we were shooting it, mind you it was this big beautiful production, but I wasn't real sure how it was going to turn out in the end; then I saw the finished cut finally a couple of weeks ago and I have to say I was very impressed and pleasantly surprised. A lot of the iconic moments have definitely been recreated and done justice, but also I think that there is a kind of elegance to it that maybe was lacking in the original movies. I think that everything from the actors to the pacing of the film is very elegant, and A Nightmare on Elm Street as a story is deserving of that, so I'm very happy with it."





This film does seem packed with notable young stars, a horror brat pack.

"Definitely, and I have to tell you man, when you do a horror remake you don't expect to be in the company of such talented people, all of us around the same age, it was really an honor to watch all these actors do their thing because they are all really, really good at what they do."

Jackie Earle Haley has to be one of the creepiest people on screen, how was it working with him in and out of the Freddy character?

"He's the nicest dude! In fairness, Kyle Gallner (Quentin) and Rooney Mara (Nancy) had more to shoot with him than I did, most of my stuff was with Katie Cassidy (Kris), but in the brief stuff that we did shoot together he was great, but in any case it was just weird in a way, rather than scary. It was weird to be around him in that make up and running from him because I watch the original movie so much, even though Jackie's portrayal is totally different from Robert Englund's its like you are in a movie you've watched before. That's a strange sort of feeling, to be Freddy's new victim."

How was it working with first time director Samuel Bayer? He's well known for directing music videos, you being an emerging musician did you pick his brain?

"Sam and I got on really well, and I really like him a lot. Sam is, and I'm sure he'd say the same thing, he's a lunatic, but in the most beautiful wonderful way. He's got this incredible energy and extremely passionate, I think certainly because it's his first film. He's a master at visuals and that was sort of second nature, but I think he became more interested in performance and pacing and score and maybe all the things he wasn't so used to? because being a music video director, and for one as great as he is the visuals are going to come naturally, but everything else was really his passion project. You gotta understand, even with the large budget we had, this was a pretty tough shoot; there was a lot to get, and a lot of expectation and high standards to meet of course."

Right, you have an entire built in fan base looking at every thing you do with a critical eye.

"Exactly! I remember there was a sequence that ended up being cut and replaced with a different one, but there was one that involved a lot of extras, like 100 something extras, and it was a party scene, I remember we were mid-shooting, I think it was only the third week of making the movie and there were certain extras who were already making up their own assumptions, saying things like' Why is Katie Cassidy playing Nancy? She's blonde and Nancy was a brunette.' and Katie isn't even in that role, Rooney is playing Nancy, so there was all this sort of weird minutia that you realize as you're making it and the level of pressure from everybody. Sam dealt with all that very well and very gracefully and I really liked working with him."





So how long do you last in the movie? Do we get to see much of you are you an early victim?

"2 1/2 minutes!" (Laughs) "Its really fast."

In the opening credits, eh?

"Opening credits before you even see Jackie's name!" (Laughs) "No, I'm in it for plenty of time, I'm around the third to go. I was in Chicago for the whole two months of shooting the movie, my stuff was spaced out shooting over that period, so I was there for the whole time but had a lot of time off and that's when I made my new record on my laptop in a hotel room."

So its all done?

"Yes! We just finished mixing! But I have to be sort of elusive about this, because we're going in a new direction with the music that I think will surprise you. We're going to have to wait and see on that one!"

Well, then, that mystery will have to be solved in our next interview! See Thomas Dekker in A Nightmare On Elm Street opening this Friday April 30th nationwide. You can also pick through his body of his work on his Internet Movie Data Base page and keep an ear out for his new album!





www.nightmareonelmstreet.com/

MOVEMENT ATLANTA


Look for free issues of MOVEMENT around Atlanta GA in Urban Outfitters on Ponce (pictured) and various shops in Little 5 Points.

Out of This World



There is little better than getting out of town unless it is to experience the Out of This World exhibit of costumes and props from the greatest Sci-Fi films and TV shows of all time at the Orange County Regional History Center in the heart of Downtown Orlando. A concise collection of original costumes and props including Star Wars, Star Trek, Batman, TRON, Blade Runner, Terminator, Highlander, Indiana Jones, Enemy Mine and even the Wicked Witch's hat from the Wizard of Oz.



The exhibition opened this past Saturday, February 6th with much fanfare and the courtyard leading up to the museum filled with Ghostbusters vehicles, K.I.T. from Knight Rider, and a souped up Delorean from Back to the Future along with a rather convincing Marty McFly and Doc. Spider Man, Deadpool, Batman, Iron Man, Darth Maul and slave-girl Leia also made their appearances throughout the day.





This is an absolutely essential show for any geek, dork, comic book guy, or nerd, but its great fun for everyone and entirely family friendly. Just watch what you say once you're inside if you're a sci-fi novice, some poor fool made the error of admitting to his girlfriend that he had never seen Blade Runner within ear shot of our nerd posse. Warp speed FAIL! After the chorus of dramatic gasps had died down he was summarily chastised for his egregious sci-fi shortcoming and instructed to go right home and rectify it.

I'm as green as Greedo that Orlando has such a great museum that constantly welcomes such amazing geek-friendly exhibitions, the last was the career spanning Jim Henson experience featuring his earliest pre-Sesame Street commercial works to props and puppets from The Dark Crystal and Fraggle Rock.



Take it from me, a road weary dork, it is well worth the journey no matter what quadrant of the galaxy you're from, but don't delay, you've only got until May 16th to set your coordinates and engage at Warp to see this unique one of a kind exhibit!



Find out more here:
http://thehistorycenter.org/exhibits/outofthisworld

COMIC-CON-PLUS


Borgs and Jokers and Furries, oh my! Chris King is living up to the spirit of the iconic Superheroes that he promotes every month with his local charity based COMIC-CON-PLUS which many people have been showing their geek off at. Its Jacksonville’s version of the BI-MON-SCI-FI-CON and has been fairly successful at its attempt in proving there is a market for a stable con scene in Jacksonville. One factor in the success of COMIC-CON-PLUS has been corralling vendors that offer what many fans have been missing out on at comic conventions of late … COMICS! The other factor, it all goes to benefit his non-profit organization that is focused on assisting the homeless.



Few have tried valiantly to put Jacksonville on the Con map, but even with a bursting marketing budget and top dollar celebrities most have not outlasted their first initial success to carry on in any tradition. But his started small and offered a die-hard fan base a rare outlet to build on along with the support from practically every comic shop in town. Yet, in the midst of this relative triumph, our hero faces a dilemma with the costs of such a production zapping his powers and hindering the forward momentum of his cause.



So, our intrepid hero has taken the Con on the move and is searching for a new not-so-secret headquarters. I talked to Chris to find out its future.


What inspired you to create Comic-Con-Plus?

"I am an artist, and I also needed some type of fund raiser for my non-profit for the homeless, so I combined my two talents of art/comics and the non-profit."

When was your first Comic-Con-Plus?

"June/July of 2009."

Give us a brief description of what the Comic-Con-Plus experience is like.

"We have a wide selection of dealers/vendors that sell anything and everything from 50¢ comics to expensive rare comics. Also action figures and every kind of toy, memorabilia and collectible. We giveaway dozens of prizes in raffles. When you pay for admission you get a ticket, and the ticket is used for the raffles. We give out passes to places like Dave & Busters, Adventure Landing and food from CiCi’s pizza and SONIC. We have free shaved ice and cotton candy for the little kids and offer hot dogs and sodas for sale."



Comic-Con-Plus is hosted by The Least of My Brethren, a nonprofit organization focused on assisting the homeless, which is also your project, correct? Tell me more about that and what does it do to help the homeless?

"The way my non-profit operates is; we wander the streets of Jacksonville and surrounding areas looking for people sleeping under bridges, in back alleys, and in doorways and give them food, a change of clothes and other things such as soap and toiletries. We also support many local shelters by finding and donating food and clothes."



The costs at the hotel your Con was being held at was cutting too deep into the expenses, so you're moving it. What is the plan?

"The hotel was putting me in the red every time. We will be at the Glynlea Grace Methodist Church for 2 more shows at the most, we need to find a place where we can have it on Sundays, since most of our best customers can only come on Sundays, its their only day off during the week!"



When are the next shows?

"January 27th, 3pm to 8pm at UNF in the Student Union Building ROOM 3806 and February 6th, 10am to 3pm at the Glynlea Grace Methodist Church.



Is there a cover charge and how much?

"$5 entry."

Is there an age limit?

"No age limit."



To keep up with dates and locations or reserve a vendor table for Comic-Con-Plus, or discover more about the Least of My Brethren mission visit http://comicconplus.webs.com/

TERA PATRICK


Adult film star Tera Patrick, the only girl that has ever been on the cover of Playboy and Penthouse in the same month (Feb of 2002), reveals more than ever with her first tell-all book "Sinner Takes All" and a nationwide book tour. I had the chance to chat with her about the writing process, advice in the industry, and life after porn.



What made you decide that now was the time to write your story?

"It was a good time, after 10 years in the industry, I figured this is the time to write it. Because I’m in a new transition in my life, the book basically goes from childhood to present day, which includes my divorce. I wrote the book in 2009 with author named Carrie Borzillo. I figured I’m leaving one industry and going into a new one, so why not do it now?


How did Carrie get involved and what was the writing process like?


"Well, I had contributed to a book that she had written called Cherry Bomb, I did a little section in there on threesomes. We got along really well, and after I had done the initial phone interview, she marched into my office; now you’d have to see Carrie, she’s like 5’2," 90 pounds on a good day, she’s this tiny little fiery girl; and she goes ‘I need to be writing your book!’ and I just said OK! So we Okayed it with Gotham [publishing], then she would come over and it would be a couple bottles of champagne, a tape recorder and that would be the book session."


Sounds like the best way to write a book.


"It was the best! But it is hard to write a book, because you start talking about all kinds of personal things and things where you think; do I really want people to know this? But when I sat down I thought that I needed to tell everything. I have one chance and may never write a book again, this is my only chance, and so I was not going to hold back."


A true tell-all eh? Nothing left out?

"Nothing left out! The first chapter begins with me waking up in a mental institution, oh no, there was nothing left out!"


What led to Margaret Cho writing the forward?

"I had a show on Playboy radio on SIRIUS called Rock Star Porn Star, and basically she was a guest on my show and we clicked and we hit it off and became friends, so I thought why not have her write the forward, another powerful sexy Asian woman!"


As someone that will likely influence a lot of girls who may be entering the porn industry, did you keep that in mind when writing the book?

"Well, the book is a lot of different stories from my whole life, but I’d hope that for anyone who reads it that they take away some inspiration. The book definitely talks about some of the mistakes I made when I first got into the industry, because there really is no book that says ‘hey, this is how it goes, this is what you should do.’ I’m hoping that my book will do that and maybe prevent even just one girl from making the same mistakes I did. I do give advice in the book, for girls wanting to get into the industry which is to treat the business like a business, to not get caught up in all the partying and the craziness, and never sign anything without an attorney."


That seems to be good advice for any profession, doesn’t it?

"Really, yes. Not just for business but for life. This book is about life. This isn’t about porn; it’s about life in porn, life after porn, life before porn. There are people that know me from that, but there are people out there that know me from all kinds of different things I’ve done. I’ve lived a very good life and I’ve had the opportunity to do many, many things besides porn and that’s another reason why I wrote the book, because I’m out of that industry now and doing other things and my fans will follow me wherever I go … hopefully!"


I read mention that your career nearly derailed early on. What happened?


"Well, it wasn’t drugs. I never got into drugs, but I signed a contract without an attorney with a video company very early on in my career that I did not realize owned my intellectual property. So that was the turning point, something that almost derailed my career. I wasn’t going to be able to work as Tera Patrick and I had to go through a two year litigation to get that back. And the fans never really knew that, they never knew the struggle that I went through to stay in the industry to continue to work so they would still have Tera Patrick, because Tera Patrick could have disappeared in 2000 when all this happened. But, I got my name back and opened up my production company TERA VISION."


And that was with your husband, yes?

"My EX-husband, right. I was married to a musician and we divorced this year, which is how the book ends. The afterward is about the divorce and how liberating that was for me. Gosh, I think the next book I write will be a guide to divorce, A-Z how to get divorced and still be a lady!"


Have you had any regrets starting the company with your then husband?

"I was VERY happy starting my own production company, and I don’t want to say ‘oh I regret this, I regret that’ because there are things that I don’t regret, I just wish that would have been possibly more informed. I wish that I had known more about business, but that just comes with time, I’m still educating myself today and learning things about, not just the business I that I was in, but about the businesses that I am still pursuing. And it is tough, when I first started my company people were just like ‘oh, she’s just talent, she’s just a porn girl, what could she do?’ and I had to prove them all wrong!"


Is it hard for a woman to find that level of respect in the industry?

"I think that’s just with women in the work place in general, but for me I am just speaking from my own personal experience in the porn industry. I mean I think women, we’ve all come a long way, even though we weren’t ready for a woman President – which I was – I say for President we get Jessica Simpson and Suze Orman, Jessica can distract all the evil people out there and Suze can make all the decisions. But, I think in my industry, because I had been a performer everyone was willing to take meetings with me, when I was pursuing crossing over I was taking meetings at big companies but they weren’t serious. People just wanted to meet me and sit down with ‘Tera Patrick.’ So I was dealing with a whole other level of trying to get people to realize that I was serious about doing business. That’s why I only started taking meetings with women and gay men! [LAUGHS] So that was my experience early on in the business, and now I have a lot of great people in various industries that I have built up my name and relationships with."


Has being labeled an Asian adult film actress been positive or negative?


"I think its definitely been positive. I’m very proud of being Asian, I was raised in America, I talk about it in the book, I was raised by my father not my mother, who is Thai, so I don’t speak Thai and I feel like my ties to the Asian community are that I’m pretty much the J.Lo of Asian girls. There is not really an Asian actress that Asian girls look up to, and I remember when J.Lo came along all the Latin girls were like ‘Oooh we got J.Lo.’ When I go do my signings or when I’m out and about Asian girls, all kinds from every country, always come up to me and say ‘Oh Tera we love you! You’re our favorite!’ so in a way I think that made me successful. The stereotype of the typical girl that was in porn was blonde hair, blue eyed, big boobs and I was tall, lanky with black hair and brown eyes, and people really saw me as something different, which is why I think I became so successful so quickly. I was against the mold."



Being in the industry you are, and with a title like "Sinner Takes All," are you a spiritual person, and If so, do you see yourself as sinful and how do you bridge those two opposing words?

"[LAUGHS] Well, I was going to call it ‘Winner takes all,’ because I have successfully done what I wanted to do and I’ve done it all on my own terms, and that’s pretty much my motto for life; go get what you want and do it how you want to do it. Carrie Borzillo came up with the title, she said no ... you’re a sinner because you do porn; people are going to think that anyway.

But you know, I am very spiritual. My mother is Buhhdist, I was raised to be free thinking and free spirited, my parents didn’t force religion on me, but I go to the Buhhdist temple every week with my mother and I do lots of praying and meditation. I don’t want to sound too holy, but I’m down with Jesus. I have a very good relationship with God.

I’ve made so many people happy, and a lot of people have been effective positively by the things that I’ve done. I’ve done signings and people have come out and held up signs that say ‘I GET MINE AT HOME’ and I‘m like well, then go home and get it! What are you doing here with me? I’m not going to give you any! Go get it from your wife!

That’s what’s so great about this country, we can be whatever we want, where as I’ve been to countries where people are tortured and persecuted for believing what they do. I think its great that here we have the means to be what we want to be but don’t force that on anybody else. I think that people who have to aggressively press their views in any extreme is them being uncomfortable inside with who they are and expressing that outwardly to people they want to show their resentment to. Be it you’re gay, a dancer, a porn star, whatever. That has to do with how they are inside. It is really sad because you can’t judge someone based on what hey do, or how they look. And when people jump down my throat about porn I say; ‘Look, you’ve got to be 18 to look at porn, if your kids get into porn then that’s something you need to be monitoring at home!’ Not to get up on a soapbox, but everyone is looking for a scapegoat."


Now that you have retired from porn and done this memoir, what is next for you?

"I am actually opening a burlesque show, that I will be the star of, in Las Vegas. If I had to describe it, I’d say it like Pussycat Dolls, traditional burlesque, mixed with Cirque du Soleil. There will be aerialists and all, it will be a very big production and I will be the star of it! Otherwise I’m still very active, I’m doing a lot of modeling, I’ve been learning how to DJ and plan to tour."


Tera Patrick will be in
Jacksonville signing copies of
SINNER TAKES ALL
January 22, 2010
at
Books-A-Million
1910 Wells Road
Orange Park, FL
at 7pm.

www.teravision.com

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