DJ LORD

Imagine working a 9-5 job and within two weeks DJing overseas with one of the biggest hip hop groups of all time! That’s exactly what happened to Lord Aswod, better known as Dj LORD, from Public Enemy. He replaced Terminator X in 1999 and has been playing sold-out shows since. On top of that Dj LORD has won numerous turntable contests and is currently on the DJ Lord: Raising Hell tour. MOVEMENT MAGAZINE caught up with one of the hardest working men in hip hop for a chat…


So you joined Public Enemy on their tour in 1999, which is a huge deal. How did that happen and was it a big decision to stay with them? And were you intimidated by P.E.’s legacy when you joined?

It was MAJOR! Basically it happened in what seemed like the course of two weeks. My roommate (Rock Most) was doing production for Professor Griff and was told P.E. needed a Dj because Terminator X had just announced his retirement after The Smokin' Grooves tour. Griff heard of my rep on the ATL Underground DJ battle scene as well as DMC, ITF battles. Long story short, I came home from my 9-5 to find Griff in our living room. We chopped it up about the tour. I met Chuck shortly after. Griff got my passport expedited and I was on TOUR headed to Belgium with NO rehearsal.

The decision to stay was a no-brainer. I grew up listening to PE.. Chuck was and still is my hero.

I was very intimidated by it all but this was my big break. All that blood, sweat & tears plus insane dues paid? it was my time.

How did you get into turntablism?

I first got into turntablism in Savannah, GA, practicing with Dj Jeff Nice, Dj L-Trec, Dj Ally-Al 210 & Katoka. It's a small city so we all would build on what influences we heard on mixtapes, VHS tapes, television, ANYTHING, and basically spar. As time went on we all got better and went on to the other levels. Guess I was the Last Dragon of the clan.

Did your family play records when you were growing up? What are some of your favorite record finds?

My cousin Bernard in Chester,PA, played records as a Dj. He had the setup and all, which of course sparked my curiosity in the first place, which of course would get me punched out every time he would catch me messing around his setup! On Sundays my Mom would always play records while cleaning as well as my uncles throwing basement parties, so I have a unlimited amount of classic, funk & reggae songs in my head from childhood.

Do you remember the first record you ever cut/scratched/whatever?


The first record I skratched was “Rockit” by Herbie Hancock. The video possessed me.

You've won quite a number of turntable battles, how do you go about getting ready for one and what are some of the bigger competitions that you have placed in?


Getting ready for a Dj battle was always a warlike ritual for me. I would practice like a maniac, then back off, do something else like practice Kajukenbo (my Martial Art at the time), watch Animal Planet, eat a bowl of cereal, ANYTHING to re-set, then hit it relentlessly until the routine was tight. Which, of course, is never enough..heh. I've won a few DMC regionals, placed in a few ITF regionals, Kool-Mixx wins, Guitar Center wins. Constantly climbing that ladder

What kind of equipment do you use?

As far as Dj set-up I use two Stanton Str8-150s, an Akai MPD24 Pad Controller (Ableton) & a Rane TTM57 Mixer.

I read somewhere that you're also doing a little bit of dubstep stuff, any plans on sticking with that and do you feel like dudes like Skrillex are kinda watering down the music?

Actually I do a LOT of dubstep stuff. I was a member of Trillbass when I first started getting the feel and now damn near 65% of my gigs are dubstep-laced/requested. I think artists like Skrillex have taken MAJOR steps for dubstep. It's 'everywhere' now and it didn’t get there by a gang of people chiming in on chat boards etc... ranting on how much they 'hate' Skrillex. Cut the bullshit.

Do you feel any commonality with artists like DJ Spooky, Christian Marclay, Aphex Twin… guys with a more experimental, avant-garde take on turntablism?

Yup. We're all fam. They may have a different approach but it started with them playing with records to take the sound further.

Jazzy Jeff honestly doesn't get the respect he deserves but you've cited him as a big influence. Would you elaborate on this?

Simply put, Jazzy Jeff is the muthafuckin' man. I tell him this every time I see him on the road. He inspired me from the beginning- from the sounds to the equipment he used (at least from what I saw on album covers). I would spend countless hours trying to figure out his style

I know you used to frequent Jacksonville, any interesting stories?
Wayy too many to list here… Ask Matt or Steve.

What projects do you have lined up for the rest of the year?

Look out for The Dj LORD: Raising HELL tour (first show kicked off Jan 7th in Mobile, Alabama), my Dubstep cd Essential Kill ft. The Contraverse dropping in April, as well as a few upcoming collabs with Chuck D, Rock Most, Hulk & Dj Sagewondah,

Does Public Enemy have anything coming up?

P.E. just completed Operation Skid Row, a free show in Downtown L.A.'s Skid Row district. The goal of the free show Sunday was twofold: for hip-hop artists to perform gratis for skid row residents, and to spotlight the economic and political plight of L.A.'s homeless. We are dropping TWO albums in 2012, there is the PE exhibit opening on Feb.1st at The Grammy Museum and the Rock & Roll Hall of Fame in Cleveland, and a few world tours lined up. There are also plans in the works to tour with Cypress Hill... Stay tuned.

by JESSICA WHITTINGTON
FOR MOVEMENTMAGAZINE.com

DJ LORD performs TONIGHT at Phoenix Taproom
http://www.facebook.com/DjLORDofficial

Movement Magazine caught up with Arthur Rowan who plays King Arthur in the Broadway show, Spamalot, which comes to Jacksonville next Thursday, February 16th

As a youth, did you aspire to be a Broadway performer? If so, did you ever imagine yourself in a Monty Python play? And if not, what did you think you would grow up to be?

"I got heavily into theatre in high school, but back then there was no such thing as a Monty Python 'play,' just the movies which I had already learned by heart. Never in my wildest dreams did I imagine I'd have the chance to play King Arthur on stage."

As many of the cast members have been in an array of Broadway performances, what are the most notable shows the cast members have come from to make up the Spamalot cast?

"My favorite theatrical experience thus far has been working with the Pennsylvania Renaissance Faire. It gave me a chance to swordfight, sing, improvise in Shakespearean, and have memorable interactions with thousands of patrons. There is nothing quite so rewarding as giving a 4-year old girl a 'magic gem' that you paid 25 cents for at a party store, explaining it will bring her luck, and watching her face light up because she really believes in the power of it."




Seeing as you are the "leader of the evening," have you always considered yourself a natural leader at heart?
"To be honest, I never really gave much thought to it.  I do love being part of a team, and when placed in positions of leadership I mostly just strive to do right by the people who are counting on me."

What is your all-time favorite Monty Python character?

"Elizabeth Tudor as played by Graham Chapman on a motorbike."

If you could turn any of your favorite movies into Broadway plays, which movies would you choose?

"It would be extremely challenging, but I'd love to see what would happen to Lord of the Rings or The Hobbit if given an imaginative director and a huge budget."

What is your least favorite part of life in the Broadway performance scene? i.e. setup, travel, performing, etc.

"The impending sense of doom that comes from knowing you'll be back pounding the pavement, looking for work again as soon as your current show is done. Stability is a very fleeting sensation, even for most 'successful' actors."
 
Are there any outrageous experiences that you have had while traveling that you are willing to share?

"During Spamalot, there's one moment where I get to give a 'shout-out' to any local celebrities of the town we're playing in. There have been a couple times when I met someone at the hotel or at the local mall who said they were coming to the show that evening, and I'd name them as one of the town heroes during the performance, hoping I can give an extra dose of magic to at least one person in the audience that night."






- by Jonathan Andrews/MOVEMENT Magazine.com

For information on Monty Python’s SPAMALOT shows in Jacksonville CLICK HERE or buy tickets now at www.artistseriesjax.org or call The Artist Series Box Office at 904-632-3373.